divendres, 11 de novembre del 2011 (13:32)
Watch patent
dijous, 10 de novembre del 2011 (09:45)
unproductive:
Eva Hesse
Untitled,
1966
Black ink with wash and pencil
dijous, 10 de novembre del 2011 (09:40)
Jim Campbell on the genesis of Exploded Views (by sfmoma)
dilluns, 7 de novembre del 2011 (23:06)
michaelcharles:
Frank Stella
dilluns, 7 de novembre del 2011 (18:12)
michaelcharles:
untitled, (lines “y” 128 diagonals) 2011_04_01 graphite on gesso on wood 24” x 24” (60.96 x 60.96)cm Matt Niebuhr
original work available for purchase here
dilluns, 7 de novembre del 2011 (18:11)
unproductive:
P1010308 by werdsnave on Flickr.
dilluns, 7 de novembre del 2011 (17:21)
wowgreat:
TFGORC92340942 (by jim soliven)
dissabte, 5 de novembre del 2011 (12:11)
dijous, 3 de novembre del 2011 (18:33)
20 Hz by semiconductorfilms.com via shred.
dimecres, 2 de novembre del 2011 (00:01)
LUMENOISE BY NIKLAS ROY
dimarts, 1 de novembre del 2011 (23:49)
purestform:
data.matrix [nº1-10]DatamaticsAudio Visual InstallationRyoji Ikeda2009
dimarts, 1 de novembre del 2011 (23:47)
branchandblaze:
Jane MastersScratchboard #14, 2004India ink & kaolin on masonite20 x 16 x 1 inches
dimarts, 1 de novembre del 2011 (23:02)
LUMENOISE BY NIKLAS ROY via Triangulationblog
dimarts, 1 de novembre del 2011 (09:57)
sojamo:
frank stella. barn, 1966
via geometrica
dimarts, 25 de octubre del 2011 (09:50)
purestform:
reblogged betonbabe
STAN ALLENDIAGRAMS OF FIELD CONDITIONS, 1996
“All grids are fields, but not all fields are grids. One of the potentials of the field is to redefine the relation between figure and ground. If we think of the figure no...
